Here is a very fascinating code. I call it “the Clock and the Circle”, in which “the Circle” is inferred, then, is Pi. To successfully apply this code, you must be working with the correct “substrate”, which means “rendering” relative to design.
Let’s analyze the amount of time.
A day is divided into 24 hours. This is the Letter X. The 24-hour day is divided into 12-hour halves, roughly equivalent to “night” and “day.” The X can be divided in half as shown in Dan Brown’s Da Vinci Code. If you don’t want to accept Dan Brown’s demonstration that the X is made up of the inverted “V” as male and the “V” as female, consider the scan of “Starshift: 1948”, a Masonic piece released in 1948, which is can be found on the archived “Illuminatus Observor” blog with the same title as this article.
It is not our position to provide “arbitrary values” to anything, as we hold that the Alphabet layout is the key and a rational and logical analysis of this key reveals the Construct in a precise and predictable way. In the case where the “Vs” have a “value” of “6”, this is well established by the Isis codes, which as shown here reveal that V is at number 6.
In addition to the labials of F and V that occupy the position of column 6, the very phonetics of the word FIVE (FV) is also found in number 6. This central truth is key to understanding the entire Illuminatus system:
1 + 2 + 3 + 4 + 5 = 15 = 1 + 5 = 6
Therefore, the V as Feminine “5” is added by 1 to itself to reveal the fifteenth letter of O, which is the feminine “egg”, “o-varies”, “o-pen-is”, etc. Five is 6.
The A like six, the secret of the serpent’s master key
Here is another key to the Illuminatus system, and there are indeed many “keys”, but they are very different from the “keys.” Note that the word KEY contains 2/3 of the word EYE. It is often necessary to have the “keys” before you can truly “see”. This “key” is essential.
The master number is 11011. It is made up of the rhyme pattern of A, J, and K, in which A is placed at 1, J is placed at 10, and K is placed at 11. I recommend that you write them down. as it advances. Each of these numbers are “ordinal values”, or their usual location in the alphabet.
Let’s now turn to Genesis, Pi (3:14):The LORD God said to the serpent: Because you have done this, you will be cursed among all the beasts and among all the animals of the field; you will walk on your belly, and you will eat dust all the days of your life. –
What this means is that whenever a “1” or a “6” is displayed, it is often necessary to consider the possibility that they are “1” if they are 6 or 6 if they are 1. The reason for this is again in the summary tables of the Cards.
When you have AJK, you have a declared value of 1,10,11, as a process of your ordinal letter placements. Set them up as 11011 as a single unit, “go the belly of the Serpent”, also known as “snake eyes” when playing “craps”, and it will hit 6 on the belly, or whatever is resting on the table of the “garbage table”.
That “1’s = 6’s” of a “Kabballistic” sense can be easily inferred by studying Kabballah as practiced by Setian-centered forces, which is the work of Rabbi Ginsberg at Inner.org. On this site there is an article that seeks to deal with “Kabbalah and string theory”,
“The complete spelling of the letter yud is: yud (10), vav (6), dalet (4). The two additional letters, vav (6) and dalet (4), are equivalent to the original yud (10) The complete spelling of the yud should be understood as an equation: 10 = 6 plus 4. The 10 dimensions of reality are divided into two categories, one of 6 and the other of 4.
In Kabbalah, the vav (6) is considered the “male” element of reality, while the dalet (4) is considered the “female” element. The “feminine” principle of reality is “revelation”, while the “masculine” principle is hidden within the “feminine”.
These are literally false conclusions, as the Isisian Code System so readily reveals, and a topic that we will attempt to address later, after more foundational material is provided to aid in determining the esoteric codes at stake, however, It’s enough. say that Rabbi Ginsberg is (essentially) using the precise number patterns that we are using in relation to the X (10).
The “vav”, 6, is considered a 1.
The 6 and the 4 (used in an additive formula 6 + 4 = 10) are joining to arrive at 10 (X), while the Continental Mason systems attribute the 4 V as eminence of the center of the X to have values of 6 and therefore 4 * 6 = 24 = Placement of letters X. In addition, the “summative formulas” of the location of the letters of 1: X are also revealed as “in play”, that is, C = 3 = 1 + 2 + 3 = 6 = 1 since C is the alignment of the Sun, Earth and Moon in a perfect line to create an eclipse.
The “1” like “6”
It is essential to intuitively understand the nature of V’s as “6” and “1” as “6”. What Dan Brown did not reveal when he inferred that the Xs are both male and female, that the ascending chevron (convex) (inverted V) is male and the ascending chevron (concave) (V) is female, is precisely where the top o Ascending chevron like an inverted V is precisely “the male”.
This is so because the “male” is “Osiris” who “is the Sun” as it “rises” on the horizon. The letter A is often referred to as “the letter of the pyramid,” “the one-eyed God,” and so on. The number sequence shown is taken from Plato’s Timaeus,
After this, he filled in the double gaps. [i.e. between 1, 2, 4, 8] and triple [i.e. between 1, 3, 9, 27] cutting still other portions of the mixture and placing them in the intervals, so that in each interval there were two types of means, the one that exceeded and exceeded in equal parts of its ends …All this compound he divided longitudinally into two parts, which he joined together in the center as the letter X, and bent them in a circular shape, connecting them with themselves and with each other at the opposite point of their original meeting point; and, understanding them in a uniform revolution on the same axis, one made the outer circle and the other the inner one. – source
There is a whole philosophy regarding Pi, the letter A and the letter H, embedded within those sentences, but for now, understand that the “1” is the tip of the A, but it still maintains a hidden base (6) ( 2 * 3 = 6 = 3 + 2 + 1 = C)
Therefore, this is the “1” while the V is a “five” and 1 + 2 + 3 + 4 + 5 = V = the letter O is the Feminine, to arrive at the Letter Y as the son as a product of 3 ^ 2 + 4 ^ 2 = 5 ^, where the letter Y is placed at 25, thus revealing the formula.
Solving the clock and the circle
Now that you have a rational basis for understanding the relationship of V and V reversed to be “5” or “6”, and that you could say that each has a value of 1, and that the 1’s are “6”, we can now Solve for “Clock and Circle”.
Study this clock first and then the next.
What is the difference? Notice how the clock on the left uses IIII to represent 4, while the clock on the right uses IV to represent IV? Which one is correct? Why one or the other? Here are some observations.
dickory walnut dock
Here is a story that may also be a “clue.” Follow along.
Hickory dickory dock, mouse turned up the clock
The clock struck one, the mouse is over
Dickory walnut dock
continues until
Hickory dickory dock, five mice turned up the clock
The clock struck five, the mouse is over
Dickory walnut dock
Now study the two clocks. If the Vs are 6 and the 6s are 1, how many “1s” are in the first clock? What is the pattern?
If the Vs are 6 and the 6s are 1, how many “1s” are in the second clock? What is the pattern?
The key is “up to 5”, or the V.
Answer for clock 1
I = 1
II = 2
III = 3
IIII = 4
V = 1
Answer for Clock 2
I = 1
II = 2
III = 3
IV = 2
V = 1
Which pattern seems more correct? This is really a basic “IQ” form of “pattern recognition test”. Obviously, if the KEY is 5, and the patterns are the following:
Pattern 1 = 1,2,3,4,1
Pattern 2 = 1,2,3,2,1
And the SONG talks about “running up and down the clock”, does 1,2,3,4,1 run up and down the clock or 1,2,3,2,1 run up and down the clock?
Obviously, the latter “runs up and down on the clock”, so it would be necessary to use the second clock for our analysis.
So this is how to do it.
I = 1 = 6
V = 1 = 6
X = 11 = 66 = (2)
Now look at what happens to our “clock”.
I = 1 = 6
II = 2 = 66
III = 3 = 666
IV = 2 = 66
V = 1 = 6
VI = 2 = 66
VII = 3 = 666
VIII = 4 = 6666
IX = 3 = 666
X = 2 = 66
XI = 3 = 666
XII = 4 = 6666
How many “6s” are there? 30 sixes.
6 times 30 = 180 degrees, or half the circle.
30 times 12 = 360 degrees, or the full circle.
Therefore, the Code reveals Pi in the conceptual 180 degrees of the division of day and night, or if we allow the “30” to be multiplied by 12 hours, we arrive at 360 degrees of the circle.
P.S. So why would the IV be changed to an IIII? What would such reveal? Why, 32, of course. The decimal digits of Pi, of course. I bet you’ve never seen this nifty little code before.
